Cincinnati, OH
  • Municipal/Government
  • Enclosure
  • Gray
  • Ohio

Rosenthal Center for Contemporary Art

  • Municipal/Government
  • Enclosure
  • Gray
  • Ohio

PROJECT OVERVIEW

The new home of Cincinnati's Contemporary Arts Center embodies the institution's ongoing role as promoter of daring and farsighted artistic strategies. In that creative spirit, the ingenuity of High Concrete Group contributed to the completion of the award-winning building.

Founded in 1939 as the Modern Art Society, the Center was one of the first institutions in the United States dedicated to exhibiting contemporary art, and has always included design and architecture in its mandate. Consistent with its probing of the outer limits of the current art scene, the Center, under the leadership of Director Charles Desmarais, selected Pritzker Prize-winning architect Zaha Hadid to design its new facility: The Lois and Richard Rosenthal Center for Contemporary Art. It is the first major American museum designed by a woman. Hadid remains on the cutting edge of Deconstructivist architecture, both challenging and, in her own way, responding to context.

The unique modern art museum is primarily made of precast concrete wall panels that were fabricated and installed by High Concrete Group’s Springboro, Ohio facility. High was selected for the complex project because of its reputation and experience with high-end architectural concrete. Working closely with the architect, High Concrete designed 140 spandrel panels for the 82,265 square-foot building.

Overall, in a building dedicated to creativity, it is only fitting that High’s functional and aesthetically pleasing panels helped the Rosenthal Center truly become a work of art.

Project Details

  • Owner: City of Cincinnati
  • Architect: Zaha Hadid/KZF Design
  • Engineer: THP Limited
  • General Contractor: Turner Construction

Key Project Attributes

  • New York Times calls structure “The most important American building to be completed since the end of the cold war.”

  • The unique building appears to have been carved from a single block of concrete

  • The building posed many design challenges, with difficult and ever-changing angles—not common 45 or 90-degree angles

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